E credo che sia quanto minor fallo
Che di farmi pagar, s’io raccomando
Al principe la causa d’un vassallo;
o mover liti in benefici, quando
ragion non v’abbia, facciami i pievani
ad offerir pension venir pregando.
Anco fa che al ciel levo ambo le mani,
che abito in casa mia comodamente,
voglia tra cittadini e tra villani;
e che nei ben paterni il rimanente
del viver mio, senza imparar nova arte,
posso e senza rossor, far, di mia gente.
Ma perché cinque soldi da pagarte,
tu che noti, non ho, rimetter voglio
la mia favola al loco onde si parte.
Aver cagion di non venir mi doglio:
detto ho la prima, e s’io vuo’ l’altre dire,
né questo basterà né un altro foglio.
Pur ne dirò anco un’altra:che patire
Non debbo che, levato ogni sostegno,
casa nostra in ruina abbia a venire
(Sat.I, 184-189)

Ariosto personally took care to make some modifications to the house to make it closer to his idea of a family retreat and entrusted the work to the designs of Girolamo da Carpi (1528). He acquired adjacent land to the residence, extending all the way to the church of San Benedetto, to be used as a garden and orchard which he tended to until the end of his days. In this abode, Ariosto, assisted by the loving care of his son Virginio and comforted by the affection of Benucci, dedicated himself to the third and final expanded version of the "Orlando Furioso" (1532), and here he passed away on July 6, 1533.

‘Today is a very important day for us, I'd even call it historic, because it is imbued with meaning.

We are inaugurating the Ferrara headquarters (our offices in Codigoro remains alive and active, a point that must be stressed). We are thus opening the Ferrara branch of the Giorgio Bassani Foundation, an entity that our father deeply hoped for since the 1980s, and that my brother Enrico and I, to satisfy his wishes, created in 2002 (16 years ago). We did so gradually with the help of a few of our family members and some close friends of ours and of our father, and, more generally, thanks to the help of many illustrious representatives from the world of culture, but also thanks to the generous support of the Ministry for Cultural Heritage (MIBACT), the Fondazione Cassa di Risparmio of Ferrara, and the Region of Emilia-Romagna.

In the rooms of Casa Ariosto, we have finally reunited most of the materials (the heritage of the Giorgio Bassani Foundation) that had been scattered about up until now (between the MEIS, the University of Ferrara, Rome, the home of our mother and the home of Mirella Haggiag - here I cannot stress enough, full of gratitude, how lovingly and carefully those materials have been stored in each of those places).

...The house of Ludovico Ariosto is an ample, quiet, well-equipped space, where it will be possible to properly welcome scholars and fans of Giorgio Bassani, and organise different activities (conferences, conventions, exhibitions, performances, projections, etc.)

Casa Ariosto: the home where the great poet of ‘Orlando Furioso’ lived, the home described by him  in an inscription on the façade: ‘parva sed apta mihi’, ‘small but suitable for me’. Thus, a house neither too big nor too small, a comfortable home, middle class, half in the city and half in the countryside, placed the right distance from the court, from the world of dukes and dames - in short, a home where Ariosto could feel truly free, truly himself.

Our father also always sought out houses that were suitable to him, in which he could work and feel free. And this house, inhabited five centuries ago by Ludovico Ariosto, couldn’t be a more worthy and meaningful place to accommodate Giorgio Bassani today (lacking, unfortunately, the now-lost house where he was born).

Giorgio Bassani absolutely loved Ariosto, he surely was one of his great literary role models. It was from Ariosto that he learned to process the subjects of his tales with a certain irony, contemplating it from afar (Ariosto considered his own subject, the world of emperors and kings, from the moon, Bassani considered his own material, Ferrara, from Rome).

But there’s more: Ludovico Ariosto and his house became the protagonists of a story by Bassani, a quick, powerful tale written in 1950 titled ‘Ludovico Ariosto and Alessandra Bonucci’, that in some way prefigured ‘The Stroll before Dinner’. The latter is a longer story that is part of Five Stories of Ferrara (1956) in which the protagonist, Elia Corcos, whose house is also halfway between the city and countryside, is taken up again and mixed with that of Ariosto, outlined in the former story from 1950.’

(Excerpt from Paola Bassani's speech

from the inauguration of the House of Ludovico Ariosto

as the Ferrara headquarters of the Giorgio Bassani Foundation, Ferrara, 13 April 2018.

The building appears as a simple construction from the early 16th century. It features a balanced distribution of architectural elements and lacks any ornamentation, indicating a preference for that style characterized by a proportional distribution of outdoor and indoor spaces and a cleanliness of ornamental elements. This style emerged after the death of Biagio Rossetti in 1516, as desired by Alfonso I d'Este, and of which the painter and architect Girolamo Carpi (1501-1556) was one of the major interpreters in Ferrara.

"The sober two-story palazzetto, with a facade originally almost certainly painted and with well-regulated and simple planimetric ratios between the different internal and external spaces (house, courtyard, rustic annexes, orchard), indeed deviates, with subtle nonchalance, from similar late fifteenth-century and Rossettian experiences to recreate new spatial articulations and expressive connotations" (Ceccarelli, in Bentini, A court in the Renaissance 2004, p. 139). The entrance portal is flanked by two marble seats, a gesture of the Poet to alleviate the discomfort of waiting for those who came to visit him.

On Friday, 13 April 2018, the House of Ludovico Ariosto was inaugurated as a branch of the Giorgio Bassani Foundation.

The foundation was established with prefectorial decree on 8 April 2002 with the mission of honouring the beloved writer, who passed away in Rome on 13 April 2000, and keeping his memory alive in Italy and abroad. The foundation promotes research and cultural events dedicated to Bassani and his life's work, literature and otherwise, thereby respecting the wishes expressed in his will.

As of 4 April 2002, the foundation was housed in one of the rooms of the Municipal Library of Codigoro, the city and setting of Bassani's novel The Heron. The death of Valeria Sinigallia Bassani, the author’s widow, on 1 December 2013 made it necessary to find a larger location for the numerous volumes of the Bassani Library, which were already part of the foundation's catalogue, though safeguarded at the family's home at 1 Via Cisterna del Follo. That necessity gave rise to an agreement between the Municipality of Ferrara and the Giorgio Bassani Foundation, signed on 28 October 2016. This agreement provided three rooms on the ground floor of the Home of Ludovico Aroiosto as the new location of Bassani's collection of books. The home also became the Foundation's operational headquarters, while the structure in Codigoro remains its legal headquarters.

The rooms on the ground floor of 67 Via Ariosto include a reconstruction of Giorgio Bassani's studio in Rome, with his typewriter and personal and professional memorabilia; a portrait of the author completed by Franco Gentilini in 1947 (recently restored); a copy of Paesaggio di Spina by Mimì Quilici Buzzacchi donated by the Quilici heirs to the Bassani Foundation on 17 November 2018; the author's personal library of 4,000 books (including those of his childhood education, some passed down by his maternal grandfather Cesare Minerbi, and those from secondary school); the literary archives, which include over 10,000 pages of manuscripts, typewritten documents, awards and honours; documents relating to his activities as President of Italia Nostra; and even letters, photographs and a family album. Made available by his children, Paola and Enrico Bassani, scholars can consult the materials upon request.